RuiLong Li, Shan Yang, David A. Ross, Angjoo Kanazawa
We present AIST++, a new multi-modal dataset of 3D dance motion and music, along with FACT, a Full-Attention Cross-modal Transformer network for generating 3D dance motion conditioned on music. The proposed AIST++ dataset contains 5.2 hours of 3D dance motion in 1408 sequences, covering 10 dance genres with multi-view videos with known camera poses -- the largest dataset of this kind to our knowledge. We show that naively applying sequence models such as transformers to this dataset for the task of music conditioned 3D motion generation does not produce satisfactory 3D motion that is well correlated with the input music. We overcome these shortcomings by introducing key changes in its architecture design and supervision: FACT model involves a deep cross-modal transformer block with full-attention that is trained to predict $N$ future motions. We empirically show that these changes are key factors in generating long sequences of realistic dance motion that are well-attuned to the input music. We conduct extensive experiments on AIST++ with user studies, where our method outperforms recent state-of-the-art methods both qualitatively and quantitatively.
| Task | Dataset | Metric | Value | Model |
|---|---|---|---|---|
| Pose Tracking | BRACE | Beat DTW cost | 12.92 | AIST++ |
| Pose Tracking | BRACE | Beat alignment score | 0.136 | AIST++ |
| Pose Tracking | BRACE | Footwork average | 40.73 | AIST++ |
| Pose Tracking | BRACE | Frechet Inception Distance | 0.5743 | AIST++ |
| Pose Tracking | BRACE | Powermove average | 52.89 | AIST++ |
| Pose Tracking | BRACE | Toprock average | 6.39 | AIST++ |
| Pose Tracking | FineDance | BAS | 0.1831 | FACT |
| Pose Tracking | FineDance | fid_k | 113.38 | FACT |
| Pose Tracking | AIST++ | Beat alignment score | 0.221 | AI Choreographer |
| Pose Tracking | AIST++ | FID | 35.35 | AI Choreographer |
| Motion Synthesis | BRACE | Beat DTW cost | 12.92 | AIST++ |
| Motion Synthesis | BRACE | Beat alignment score | 0.136 | AIST++ |
| Motion Synthesis | BRACE | Footwork average | 40.73 | AIST++ |
| Motion Synthesis | BRACE | Frechet Inception Distance | 0.5743 | AIST++ |
| Motion Synthesis | BRACE | Powermove average | 52.89 | AIST++ |
| Motion Synthesis | BRACE | Toprock average | 6.39 | AIST++ |
| Motion Synthesis | FineDance | BAS | 0.1831 | FACT |
| Motion Synthesis | FineDance | fid_k | 113.38 | FACT |
| Motion Synthesis | AIST++ | Beat alignment score | 0.221 | AI Choreographer |
| Motion Synthesis | AIST++ | FID | 35.35 | AI Choreographer |
| 10-shot image generation | BRACE | Beat DTW cost | 12.92 | AIST++ |
| 10-shot image generation | BRACE | Beat alignment score | 0.136 | AIST++ |
| 10-shot image generation | BRACE | Footwork average | 40.73 | AIST++ |
| 10-shot image generation | BRACE | Frechet Inception Distance | 0.5743 | AIST++ |
| 10-shot image generation | BRACE | Powermove average | 52.89 | AIST++ |
| 10-shot image generation | BRACE | Toprock average | 6.39 | AIST++ |
| 10-shot image generation | FineDance | BAS | 0.1831 | FACT |
| 10-shot image generation | FineDance | fid_k | 113.38 | FACT |
| 10-shot image generation | AIST++ | Beat alignment score | 0.221 | AI Choreographer |
| 10-shot image generation | AIST++ | FID | 35.35 | AI Choreographer |
| 3D Human Pose Tracking | BRACE | Beat DTW cost | 12.92 | AIST++ |
| 3D Human Pose Tracking | BRACE | Beat alignment score | 0.136 | AIST++ |
| 3D Human Pose Tracking | BRACE | Footwork average | 40.73 | AIST++ |
| 3D Human Pose Tracking | BRACE | Frechet Inception Distance | 0.5743 | AIST++ |
| 3D Human Pose Tracking | BRACE | Powermove average | 52.89 | AIST++ |
| 3D Human Pose Tracking | BRACE | Toprock average | 6.39 | AIST++ |
| 3D Human Pose Tracking | FineDance | BAS | 0.1831 | FACT |
| 3D Human Pose Tracking | FineDance | fid_k | 113.38 | FACT |
| 3D Human Pose Tracking | AIST++ | Beat alignment score | 0.221 | AI Choreographer |
| 3D Human Pose Tracking | AIST++ | FID | 35.35 | AI Choreographer |