486 machine learning datasets
486 dataset results
Freesound Dataset 50k (or FSD50K for short) is an open dataset of human-labeled sound events containing 51,197 Freesound clips unequally distributed in 200 classes drawn from the AudioSet Ontology. FSD50K has been created at the Music Technology Group of Universitat Pompeu Fabra. It consists mainly of sound events produced by physical sound sources and production mechanisms, including human sounds, sounds of things, animals, natural sounds, musical instruments and more.
Urban Sound 8K is an audio dataset that contains 8732 labeled sound excerpts (<=4s) of urban sounds from 10 classes: air_conditioner, car_horn, children_playing, dog_bark, drilling, enginge_idling, gun_shot, jackhammer, siren, and street_music. The classes are drawn from the urban sound taxonomy. All excerpts are taken from field recordings uploaded to www.freesound.org.
The SumMe dataset is a video summarization dataset consisting of 25 videos, each annotated with at least 15 human summaries (390 in total).
We introduce FLEURS, the Few-shot Learning Evaluation of Universal Representations of Speech benchmark. FLEURS is an n-way parallel speech dataset in 102 languages built on top of the machine translation FLoRes-101 benchmark, with approximately 12 hours of speech supervision per language. FLEURS can be used for a variety of speech tasks, including Automatic Speech Recognition (ASR), Speech Language Identification (Speech LangID), Translation and Retrieval. In this paper, we provide baselines for the tasks based on multilingual pre-trained models like mSLAM. The goal of FLEURS is to enable speech technology in more languages and catalyze research in low-resource speech understanding.
NSynth is a dataset of one shot instrumental notes, containing 305,979 musical notes with unique pitch, timbre and envelope. The sounds were collected from 1006 instruments from commercial sample libraries and are annotated based on their source (acoustic, electronic or synthetic), instrument family and sonic qualities. The instrument families used in the annotation are bass, brass, flute, guitar, keyboard, mallet, organ, reed, string, synth lead and vocal. Four second monophonic 16kHz audio snippets were generated (notes) for the instruments.
The Free Music Archive (FMA) is a large-scale dataset for evaluating several tasks in Music Information Retrieval. It consists of 343 days of audio from 106,574 tracks from 16,341 artists and 14,854 albums, arranged in a hierarchical taxonomy of 161 genres. It provides full-length and high-quality audio, pre-computed features, together with track- and user-level metadata, tags, and free-form text such as biographies.
This dataset contains 118,081 short video clips extracted from 202 movies. Each video has a caption, either extracted from the movie script or from transcribed DVS (descriptive video services) for the visually impaired. The validation set contains 7408 clips and evaluation is performed on a test set of 1000 videos from movies disjoint from the training and val sets.
The MAESTRO dataset contains over 200 hours of paired audio and MIDI recordings from ten years of International Piano-e-Competition. The MIDI data includes key strike velocities and sustain/sostenuto/una corda pedal positions. Audio and MIDI files are aligned with ∼3 ms accuracy and sliced to individual musical pieces, which are annotated with composer, title, and year of performance. Uncompressed audio is of CD quality or higher (44.1–48 kHz 16-bit PCM stereo).
The Oxford-BBC Lip Reading Sentences 2 (LRS2) dataset is one of the largest publicly available datasets for lip reading sentences in-the-wild. The database consists of mainly news and talk shows from BBC programs. Each sentence is up to 100 characters in length. The training, validation and test sets are divided according to broadcast date. It is a challenging set since it contains thousands of speakers without speaker labels and large variation in head pose. The pre-training set contains 96,318 utterances, the training set contains 45,839 utterances, the validation set contains 1,082 utterances and the test set contains 1,242 utterances.
The MUSDB18 is a dataset of 150 full lengths music tracks (~10h duration) of different genres along with their isolated drums, bass, vocals and others stems.
The sleep-edf database contains 197 whole-night PolySomnoGraphic sleep recordings, containing EEG, EOG, chin EMG, and event markers. Some records also contain respiration and body temperature. Corresponding hypnograms (sleep patterns) were manually scored by well-trained technicians according to the Rechtschaffen and Kales manual, and are also available.
GigaSpeech, an evolving, multi-domain English speech recognition corpus with 10,000 hours of high quality labeled audio suitable for supervised training, and 40,000 hours of total audio suitable for semi-supervised and unsupervised training.
The How2 dataset contains 13,500 videos, or 300 hours of speech, and is split into 185,187 training, 2022 development (dev), and 2361 test utterances. It has subtitles in English and crowdsourced Portuguese translations.
The MetaQA dataset consists of a movie ontology derived from the WikiMovies Dataset and three sets of question-answer pairs written in natural language: 1-hop, 2-hop, and 3-hop queries.
VQG is a collection of datasets for visual question generation. VQG questions were collected by crowdsourcing the task on Amazon Mechanical Turk (AMT). The authors provided details on the prompt and the specific instructions for all the crowdsourcing tasks in this paper in the supplementary material. The prompt was successful at capturing nonliteral questions. Images were taken from the MSCOCO dataset.
Multilingual LibriSpeech is a large multilingual corpus suitable for speech research. The dataset is derived from read audiobooks from LibriVox and consists of 8 languages - English, German, Dutch, Spanish, French, Italian, Portuguese, Polish. It includes about 44.5K hours of English and a total of about 6K hours for other languages.
We present the MSP-IMPROV corpus, a multimodal emotional database, where the goal is to have control over lexical content and emotion while also promoting naturalness in the recordings. Studies on emotion perception often require stimuli with fixed lexical content, but that convey different emotions. These stimuli can also serve as an instrument to understand how emotion modulates speech at the phoneme level, in a manner that controls for coarticulation. Such audiovisual data are not easily available from natural recordings. A common solution is to record actors reading sentences that portray different emotions, which may not produce natural behaviors. We propose an alternative approach in which we define hypothetical scenarios for each sentence that are carefully designed to elicit a particular emotion. Two actors improvise these emotion-specific situations, leading them to utter contextualized, non-read renditions of sentences that have fixed lexical content and convey different emot
MagnaTagATune dataset contains 25,863 music clips. Each clip is a 29-seconds-long excerpt belonging to one of the 5223 songs, 445 albums and 230 artists. The clips span a broad range of genres like Classical, New Age, Electronica, Rock, Pop, World, Jazz, Blues, Metal, Punk, and more. Each audio clip is supplied with a vector of binary annotations of 188 tags. These annotations are obtained by humans playing the two-player online TagATune game. In this game, the two players are either presented with the same or a different audio clip. Subsequently, they are asked to come up with tags for their specific audio clip. Afterward, players view each other’s tags and are asked to decide whether they were presented the same audio clip. Tags are only assigned when more than two players agreed. The annotations include tags like ’singer’, ’no singer’, ’violin’, ’drums’, ’classical’, ’jazz’. The top 50 most popular tags are typically used for evaluation to ensure that there is enough training data f
The TED-LIUM corpus consists of English-language TED talks. It includes transcriptions of these talks. The audio is sampled at 16kHz. The dataset spans a range of 118 to 452 hours of transcribed speech data.
We propose Localized Narratives, a new form of multimodal image annotations connecting vision and language. We ask annotators to describe an image with their voice while simultaneously hovering their mouse over the region they are describing. Since the voice and the mouse pointer are synchronized, we can localize every single word in the description. This dense visual grounding takes the form of a mouse trace segment per word and is unique to our data. We annotated 849k images with Localized Narratives: the whole COCO, Flickr30k, and ADE20K datasets, and 671k images of Open Images, all of which we make publicly available. We provide an extensive analysis of these annotations showing they are diverse, accurate, and efficient to produce. We also demonstrate their utility on the application of controlled image captioning.